Sketch

Older “grampa rat” sketch. Never made the cut for the story. Ah well.

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Sketchbook

©2018 Christopher Denise

Don’t forget to give yourself a few minutes to just draw today!

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Process Post

A charcoal concept piece, color sketch, and finished painting. From my first book, The Fool of the World and the Flying Ship. Philomel 

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Sketch book

Sketchbook page(s) from “Rabbit and Turtle go to School”. Happy Saturday!

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I am on Instagram!

I post different types of content on different platforms, so be sure to check out my Instagram page for sketches and glimpses of my studio.

https://www.instagram.com/christopherdenise/

Firefly Hollow development part 2: Curiosities.

This is part two of a short series of posts about the development of my most recent book, Firefly Hollow written by Alison McGhee. See my post from June 26th to read part one.

Putting a story together, or rather discovering one and unearthing it, is tricky business. Steven King describes it this way:

“Stories are relics, part of an undiscovered pre-existing world. The writer’s job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible. Sometimes the fossil you uncover is small; a seashell. Sometimes it’s enormous, a Tyrannosaurus Rex with all those gigantic ribs and grinning teeth.” 

What parts of my story did I have? Not much. I had a few sketches that were resonating and some notes about the characters, but still no real sense of the story yet.

I tried asking myself questions about the characters: Who is this vole? Where does he live? I caught a few glimmers of things but any sort of narrative remained elusive.

So, I did what many illustrators do when they are stuck: Research. 

I started collecting images of voles, crickets and paintings of water that I really loved. I looked up rafts and boats, grabbing  anything that caught my eye. Some of the images I already had in a folder that is constantly updated called "curiosities".  In his book on creativity "Catching the Big Fish", David Lynch calls these collections "firewood". I love the term, and it is perfect the way he describes it, but I shied away from naming my folder likewise. I didn't want to burn through my material too quickly! I started putting things up and soon I had a wall of the shed covered in images. 

Writing is hard work, I happen to think that it is MUCH harder than illustrating though many of my writer friends disagree with me. Writing good picture books is particularly difficult, you will know this if you have ever tried. Trying, as I was, to write something like the final manuscript of Firefly Hollow Firefly...was....lets just say that it is like showing at Wimbledon and trying to compete because you beat everyone in your family at badminton. Nevertheless, I tried to write the picture book version of my story-numerous times. They were terrible; really, really bad. 

As an illustrator, I respond to a text and then begin to add my own voice. Ultimately, I try to create a corresponding visual narrative that enhances and supports the written word-basically creating a parallel emotional narrative. That is a summarization, and I don't think about it that way when I am working, but its the closest I can come to describing the process. I had nothing to respond to so I continued on with what I felt right...the pictures. I sketched little visual "notes" about things that I thought would be fun to paint. 

I was still on hold for the project in my desk so I scanned a few of the sketches and painted them up in Photoshop (just for the fun of it) as a color studies. 

The beginnings of Firefly Hollow. A fortunate delay, a change of venue, the kindness of neighbors, and finally...taking my own advice

The fortunate delay.

It was one of those rare times in publishing where there was a lull in the constant demand of my production schedule.
I was waiting for feedback from a publisher on a final round of sketches for a picture book.
In the past, I would have begun feverishly scratching away at the waiting heap of work for the next book. But there was no heap of work. I had been turning down projects-waiting for and wanting something that I felt a particular type connection with. This could have been a bit nerve-wracking for any self employed artist.  Fortunately, I had other things that were demanding my attention.

A change of venue.

At the time, my studio space was located in a revolutionary era merchant building. While it was charming, the roof had begun to leak and late nights of driving from Providence back to our little bay-side town were getting tiresome. Given my usual level of exhaustion, it was actually getting dangerous.
It was time to go.

The kindness of neighbors. 

Anika (see posts relating to Anika Denise) and I decided that it was time to to renovate our dilapidated garage.
But that process would take several months to complete so where was I to work?

This is the magical part, the part where the greatest gifts come out of the ether unannounced and without fanfare.

I asked for help.

I asked my friend and next door neighbor Doc Pete (he is really a doctor) to help me move some of the larger items out of the way so I could begin evaluating the task of rebuilding the garage.
Two minutes later I was looking at my new temporary studio, Pete's shed.
Doc Pete's shed was an eight foot by ten foot structure. It had a door, two windows, and electricity. Rent free. We cleared it out, opened the windows, and I could hear and smell the waves on the bay.
I was in heaven.

Taking my own advice...finally.

I taught at Rhode Island School of design for a few years.
Part of the job was handing out lots of unsolicited advice.
One of my favorite tidbits for aspiring illustrators was to use any "down time" they might have to create personal projects.
I had given that advice enough and now it was time to follow it. I quickly realized that this was quite a bit harder than I imagined.

But I had been given the gift of time, the gift of change, and a quiet place to accept those gifts.

I began to sketch and wrote this above my drawing.."Cricket and Vole"
This is what they looked like.

Wildwood (the book) inspired sketch

A quick sketch made this rainy morning while waiting for a phone meeting to start. If you, or your kid (reading level 8 years or older is my guess) has not yet read Wildwood by Colin Meloy and illustrated by Carson Ellis, you should.

Another little sketch...

Doggie doodles

Drawing from a former life.

Quoting my own work and the way I draw certain subjects is trap that I try to be mindful of when I approach new projects. Often, in warmer weather, I will go landscape painting just to "restart" my ability to really look at things and draw or paint without defaulting to my mental cache of imagery. This past winter in New England has been crushing and continues to keep all but the most die-hards couped up in their studios. But a restart was needed and I dutifully headed down to the open drawing session at RISD for a solid 3 hour life drawing session. After about 30 minutes, we realized that the models were not going to show up and I found myself in a strangely familiar predicament. 

I taught at RISD in the illustration department on and off for a few years and was always nagging my students to go to these life drawing sessions and often they would come back with the "excuse" that the model was a no show. At which point I would tell them they should have gone to the Nature Lab, a sort of miniature museum of natural history, full of skeletons, taxidermy and fish.

 

 

So it was time to follow my own advice. After the first 45 minutes I realized that my former students must have cursed me. This was neither fun nor exciting. Then those self sabotaging thoughts came..."I should be in my studio"....."This is a waste of time"...."I should be working on my clients projects"...etc. But I continued to push through my own resistance.

Then, without warning, all resistance fell away and there I was, just drawing. Completely present and very happy. I had reoccupied that space I knew not as a RISD teacher but as a RISD student. Before I knew it they were closing the lab for the night and it was time to pack up.

When I arrived at home it was time for a beer and to look at the work. Had I jumped out of my well worn ruts of drawing for the night? I think so....Will I do it again? You bet. There is another open drawing session next week and model or not, I will be there.

And if you are one of my former students, put down the stylus, dig out your charcoal and get your ass in class.

Sketchbook page

Someone was asking me about posting a sketchbook page-no clean ups or making it look pretty.